Showing posts with label peter cox. Show all posts
Showing posts with label peter cox. Show all posts

Tuesday, May 07, 2013

All Change At Tools of Change




Often knowing when to stop and move on is harder than continuing to plough the same old furrow.

Last week Tim O’Reilly decide to call it a day on his well respected ‘Tools of Change’ adventure. 

Many applauded him for the work he had done in moving the digital agenda forward, whilst others said he should continue and owed it to his follows to keep up the work. We are not able to say what tipped his thinking to flip his attention elsewhere, but will say that we should never expect any party to go on forever.

Tools of Change arrived at the right time. It fed the appetite of many to understand the emerging digital landscape and listen to those breaking new ground. It certainly pulled together the brightest and reshaped the Book Fair World. We attended one of the conferences and found ourselves wondering what all these folk attending would be doing, or adopting, if they didn’t have this focal point?

Does the shutting up of the Tools of Change mean we are fully conversant with digital and change? We would suggest not and change is all around us. But it does signal the end of the beginning and the question now is as what follows and how will that help shape our thinking. Perhaps it signals the end to the mega conference, which in our opinion is probably well overdue, but again we have thought that for a long time. Perhaps it signals an end to the ‘payola’ conference where money can buy the platinum sponsor a speaking slot, a booth, literature in the delegate pack and even if they have little to say. We refused to be drawn into this sham circuit with its often predictable group of speakers and luvvies.

Perhaps it draws an end to the constant barrage of conferences and pulls them together around major Book Fairs.

Others will step into the void and some are already doing so, but are they merely replicating the formula or adding new ingredients?

We remember Richard Charkin shutting up his blog, which was insightful but often more a mixture of social insights and executive travels than a commendatory on digital advancement. Then Evan Schnittman took off those Black Plastic Glasses and said we are now digital time to put this pen down. Now Tools of Change is moving on.

It’s ironic that this last month we have written nothing. Were we missed? Did the digital world stop spinning? Probably we were the ones most frustrated and itching to write about so many things, but we found ourselves not with writer’s block as much as a desire to get on with something different.

We have just announced our Read Petite venture with ex Chief Editor of the Bookseller, Neill Denny, Agent and broadcaster, Peter Cox and founder of Waterstone’s Tim Waterstone. We found ourselves wanting to write about Read Petite at the expense of all else. That would clearly be wrong but how do we balance the industry commentary with what we feel so passionately about?

After some 2,200 blogs, we have decided it’s not time to move on but it is time to start to rethink what we write and how we communicate it. It’s a bit like when Bibliophile started t do video reviews to supplement the text ones. We saw the power of the visual the passion of the reviewer and realised that text reviews are good but are only they because that was the only way we could effectively express them. Today music is about YouTube more than it’s about iTunes. Conferences are more about TED than packing a room full of delegates and collecting money of the speaker’s companies. Commenting on change is about effecting it and helping it happen than writing about it.

Wednesday, November 07, 2012

ClanCast: Connecting Readers With Their Authors




Is an author or book promotion, just a case of putting an author in front of a camera asking a few questions and posting the result on their web site. Does that image and insight into the author’s thinking make the difference? We have seen book promotion on television stumble along for years, usually subject to the usual discussion on a sofa and the author holding their new book in one hand whilst fixing the eyes on the camera and smiling. Celebrity authors can easily get the right exposure and do it with style and litter the studios of every chat show clutching that new release. ‘Star’ acts such as JK Rowling can even command their own show, set in their own surroundings and probably with well scripted questions and answers. We have also see the video author tour and distance signing,  but does it really engage and is a computer generated signature, merely technology looking for a problem? 

How do we connect authors to readers and is it just all about the promotion of the latest book or about maintaining and developing a continual connection with a fan base? In a period when the book festival and reading groups are thriving, how do we bypass the literary mass gathering and TV and radio Chat show and make author events engaging and happen on the internet? Is it possible, or is it a step too far for technology?

The music business faces the same issues. You would think all musicians are natural stage performers, have an engaging persona, are articulate and can make that insightful video engaging. Apparently, without the guitar and mike, many are cliché driven, fail the test and so it’s a case of letting the music do the taking, but as that is audio and often visual, it’s no problem.

So we come back to authors and connecting them with the readers, artists with their audience, writing idols with fans, literary talent to a new potential buyer.

Facebook and Twitter often works and some authors have developed huge followings, but do you want to know what they had for breakfast and that they are stuck in a BBC lift. We also now have these new social networked authors using their new powers to advertise other material and get paid for it. Does a Justin Timberlake endorsement carry more weight than a slot on the One Show or Graham Norton’s sofa? 

Secondary endorsement is not new and Oprah and even Richard and Judy have launched their own special endorsement programmes. But is the message always one way and do readers merely want to see and listen then read or engage, or ask questions and get closer to their writers?

Michelle Paver is no slouch when it comes to connecting with her readers. She experiments in many ways and is prepared to be grilled by her fans live on Skype and via on-line chat through Litopia’s Clancast events. These are different in that they announce a day and time and stage a ‘live’ author global event with the likes of Michelle on screen alongside a live chat feed and being interviewed by the accomplished Peter Cox and her fans. The resultant footage is then edited and posted on YouTube for those who couldn't make it to the live event and those who just want the memory to watch. With average some 7 to 10 thousand hits on YouTube they would appear to hit the mark. 

Its interesting to look at her track record on YouTube:

  •          A 4 year old Orion published a video of Michelle talking about her book around the recording of the audio by Sir Ian McKellen., This clever piece has since had some 11K  hits.
  •          Peter Cox has done four Clancasts/ videos of Michelle which have received 11K, 6.5K, 7K and the latest some two months old 7.6K of hits.
  •          The rest appear to be in a different league with; two guardian interviews with Michelle receiving 500 and 270 hits, a Richard and Judy interview 583 hits, Puffin book video 410 hits, a Waterstones video 2K of hits, meet the author video 27 hits and a Cheltenham Festival video 15 hits.



Peter  Cox says, ‘The ClanCast events really grew out of the natural relationship that exists between Michelle and her readers.  As such, they're simply enabling something to happen on a bigger scale.  Production values are less important, we've found, than the human values that fandom represents.  Participants want authenticity, not necessarily slickness’.

One fan in New Zealand stayed up all night just to take part!

We are not saying one is right and the rest are wrong, but we are saying that perhaps the one way communication isn't as effective as the interactive event. Also authors and agents need to think about continual dialogue and not just around the book launch. It is after all about connecting authors to readers and authors aren't just for Christmas.

Monday, September 20, 2010

Latest Litopia After Dark

Another Litopia After Dark session worth a listen. last Friday I joined New Zealand author Philippa Ballantine,Donna Ballman from Florida, Dave Bartram and Litopia's Peter Cox.
Its fun to do and worth a listen as usual.

http://www.litopia.com/podcast/who-blew-my-cover/

Sunday, April 04, 2010

Radio Litopia Arrives


Litopia is a pioneer publishing online community run by author, agent and literary agent, Peter Cox. Its focus is publishing and writers and aims to help both the emerging and established writer. We have long supported Peter and his team and have contributed to the stimulating and often highly amusing ‘Litopia after Dark’ podcast. In fact last Friday we were on the panel discussing the Digital Economy Bill and with US lawyer and panellist Donna Ballman the emotive subject of agency pricing.

Litopia’s podcast is now being extended and creating Radio Litopia, offering exclusive online broadcasts for writers. Radio Litopia will cover continue to coverl a wide and diverse set of issues related to writing and the publishing industry. It can be listened to on your iPhone, smartphone. Laptop, netbook – on the move and is truly breaking ground that many others fail to see or understand.

Litopia’s community service to writers now supports Litopia Daily and online communication, Litopia After Dark and now Litopia Radio. It is different,it is topical and it is not afraid to discuss what writers want to discuss. The interesting approach is that Peter continues to push the boundaries and redefine community communication in a way many in publishing fail to grasp. Litopia is building a community that is more than a social network and one that escapes from that self publishing, vanity approach adopted by others. He isn’t after the slush pile and that is what confuses many. He isn’t trying to create a cosy book club or a book review show. He is just connecting writers.

Click to read about last Friday’s Litopia After Dark show and download the podcast

Tuesday, May 12, 2009

Book Piracy: A Case of Whack-A-Mole

Last month we wrote about the issue of digital book piracy and along with others such as Peter Cox at Litopia, raised the bar on the public awareness of the issue. Today the New York Times wrote an article ‘Print Books Are Target of Pirates on the Web’, which again raises the agenda further.

One quote from the article which can best describe the problem was made by Russell Davis, an author and president of the Science Fiction and Fantasy Writers of America, a trade association that helps authors pursue digital pirates who said “It’s a game of Whac-a-Mole, you knock one down and five more spring up.”

When Litopia raised the issue of Scribd, some said it was unfair and the site shouldn’t be targeted, as it tried and was responsive when take down notices were sent. Others said the same about Wattpad. Our defence would be to browse Scribd and see the volume of taken downs that have been actioned and where they state the file has been removed. There isn’t a takedown without an infringement!

Some say that piracy is small and only the same as shrinkage and theft in physical stores, but is that a real excuse, or merely a case of apathy?

Plead all they can, the sites simply allow any material to be posted and only if it is a know infringement, or they get a take down notice, do they respond. They may claim that taking proactive action could land them with the liability so to take no proactive action is safer. The problem is that the mechanism of the DMCA (digital millennium copyright act) is inherently flawed, as it is retrospective action and is like trying to put the cat back in the bag – its too late its out its out and having kittens!

The efforts being expended by publishers in tracking infringements is growing, with many large house having to have dedicated staff continuingly trawling, tracking and issuing take down notices. This may work for the large corporate, but is it realistic across the thousands of medium or small publishers? Some may say that it’s like giving each a shovel and asking them to all to ‘wack-a-mole’?

Today we are only talking about whole works and not even attempting to cover part works or content of sufficient size to warrant permissions. Rather than build infringement databases that just generate take down notices, why not address the problem. We are trying to manage a rights business with no rights management.

This has been raised over and over and the proposed BRR registry isn’t the answer but only part of the answer. We have bibliographic agencies who catalogue all titles. We know that you can’t resell a digital file and each rendition and manifestation is unique. We have identifiers which identify genuine booksellers, publishers, libraries. Yet we can’t join the dots up and create a proactive environment. Some may say that we let businesses hide behind ineffective DCMA.

If leadership is not taken, then we may all find that ‘Whack-a-Mole’ becomes an increasing part of the publishing business.

Monday, February 23, 2009

Happy Birthday Litopia After Dark!!


We are pleased to celebrate the first birthday of Litopia After Dark.

It seem an age since we were first asked to contribute to this extraordinary fusion of literary debate and author insights. We didn’t exactly know what to expect, or how it was going to develop, but are proud to have play a minute part in its growth. Today Litopia boasts just over 21,000 listeners and its popularity grows as other book orientated shows struggle. Peter Cox has with his team shown great entrepreneurial flair, pushed the boundaries and bought a common touch and accessibility to a wide range of subjects that many struggle to communicate today. Most importantly he has created what many talk about - a social community on creativity and reading.

We are now a regular monthly contributor to the Friday night show and are scheduled to be back on the panel this Friday. We have no idea what the astute Peter will choose as the subjects to be discussed, but know we will enjoy every minute of the friendly banter.

If can’t make the live show you can download it and others.

Saturday, January 24, 2009

Litopia After Dark

Last night we were once again invited to participate on the panel of Litopia. As well as an informative daily Litopia has a weekly broadcast which is both live and available to download from iTunes. It is run by that charismatic and entrepreneurial agent Peter Cox and brings topics book subjects, humour and industry insights to the table from a writer’s perspective.

Last night was the first in a new format and discussed subjects such as; the state of the book industry, the fortunes of the newsprint and magazine sectors, the publishers’ reaction to dyslexia in authors, the Google Book Search settlement and whether fairy tales are now too scary for kids.

The show is well worth a listen and has a very healthy audience that is growing.

Last night’s show
http://podcast.litopia.com/2009/01/24/litopia-after-dark-what-the-hecks-

LITOPIA DAILY - The World's First DAILY Podcast For Writers http://podcast.litopia.com/

Peter Cox's Blog
http://petercox.info/

Monday, April 07, 2008

Litopia - A New Voice in Publishing


Its weird listening to one’s own voice and what you say and how you talk. Last Friday I was invited to participate in a live podcast by Litopia which goes out every Friday night at 8 pm GMT. You approach it as if you were on a stage on a panel, answering questions and giving thoughts straight from the hip, but its different as you can't see the audience nor your felow panelists. It is also on record and everyword is captured and available, to what is becoming a growing audience of people who play the download after the event.

Litopia is run by Peter Cox a literary agent with a big difference and one who is certainly pushing the boundaries and asking the questions right across the industry. This week it main subject was ‘The Money Issue - How will Authors Survive in the Digital Future?’ and the panel was authors, Brian Clegg, Dave Bartram and myself.

I will not attempt to cover the vast ground we discussed from Amazon print on demand, HarperCollins new author venture, the recent press coverage on author earnings and much much more. Sixty plus minutes of lively and searching debate, over a Skype conference is not new, but this was certainly a new experience.

Please visit Litopia listen to the podcast and hopefully enjoy some of the debate.

Peter has Kate Pullinger taking part on 9th May and having interviewed and written a blog on her, she certainly is someone we recommend you listen to.