Adobe have long been associated with publishing and the development
tools associated with the development of
content and although they have successfully seen off the likes of Quark and
established InDesign as the tool of choice to many, they have long floundered
in the area of DRM.
Today we read of their latest step change to introduce ACS5,
which is aimed at tightening the security and replacing the easily broken and
much maligned ACS4. There is a question as to whether it will be widely adopted
and also of whether how quickly it will be broken by those who wish to break it. There is also the question that if they accept that they are doing it to primarily address ACS4, what of the ACS4 licences being issues and charged for in the market today?
Some 8 years ago they dropped the then much broken ACS3
offer and with the backing of Sony and Overdrive delivered ACS4. The objective
was to establish a cross platform ‘open’ service that could be used by all, on
any device and at a small transaction licence fee to Adobe, which was centrally
controlled with real time licence authentication. The problems started early. Much
of the original specification was done with the help of a single party who
mainly operated in a single market and whose input made it unfriendly and
cumbersome in other sectors. The original restrictions on devices and the
interface with Digital Editions was restrictive and confusing to users and
although these have been greatly relaxed the basic process and controls remain.
Eight years on it remains cumbersome and unfriendly.
A few years later they found that they were not geared to
dealing with small accounts and collecting micropayments. So they outsourced
this activity to a couple of partners who were more incentivised to dealing
with customers. Prior to this move and after the departure of the main driver
and movement of his successor within Adobe, it was almost impossible to find
the person in Adobe who could make any commercial decisions or even knew much
about it.
ACS4 had other problems. The model was based on a server
licence plus transaction fee on each purchase download of some 25 cents and a
reduced fee of 8 cents for each library loan up to 60 days. As the demand grew
for ebooks and the prices dropped the transaction cost often became a thorn in
the side of many. It is in effect a fixed sales tax that is imposed
irrespective of the cost of the sale and is not include in the publication
price. Today Amazon and Apple each have their own DRM which obviously are incompatible
and others such as Kobo and Nook have understandably quietly started to go
their own way. Sony remains an also ran and probably still has two DRM
solutions one of which is ACS4. More importantly some 85% of all sales in all
markets are driven by proprietorial DRM solutions and although ACS4 is still
seen by some as ‘open’, to many ACS4 is in reality the same. However ACS4 is
only one DRM service that directly charges the retailer and lives off their
sales.
Perhaps Adobe should have adopted a more long term and integrated
approach by embedding both encrypted and later watermarked solutions within
InDesign and collected the money in the upstream development. They could have
still offered the downstream licence operation but would have probably achieved
greater control of the market. Files could have been automatically exported in
multiple formats all offering the publisher multiple channels and retailers an incentive
to do what they do best – price and sell. Also it should be noted that as Adobe
move towards the subscription based licencing of all their tools, this simpler
approach could have been bundled in as a value added incentive to publishers.
We have seen the emergence of streamed cloud based ebook services.
Whether these are app or browser driven they do not need ACS4 or 5 and can
effectively be far more secure in their offer and more transparent in how they
achieve it. Maybe ACSx was built for a downloaded file world that may not be so
relevant in the near future.
There remains questions about the cost of ACS5 migration and
its associated family of change. There remain questions on how Adobe are going
to stimulate the transition and whether, like in the ACS3 to 4 move, they will effectively
force it to happen even though their hand is considerably weaker this time
round. There remains questions on the backward compatibility of ACS5 and ACS4
licences. However, to many today there is still a bigger question over encrypted
DRM and whether we should not migrate to a watermarking soft DRM with
authentication of ownership , or be factored into an epub format and service,
or whether we should just go no DRM?
2 comments:
[quote]We have seen the emergence of streamed cloud based ebook services. [/quote}
Really? Where? The minute someone makes me use a "streamed cloud based ebook service" is the minute I stop buying from them.
It may be a publisher's wet dream, it's a consumer nightmare.
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