Showing posts with label sharing music. Show all posts
Showing posts with label sharing music. Show all posts

Wednesday, June 05, 2013

Today's Audience Just Got Google Glass!


The ex-Taking Heads musician, David Byrne now opens his shows encouraging folk to take pictures, film and record and share on YouTube, but to only post the good recordings. In his book ‘How Music Works’ he describe that cathartic moment when he stopped trying to fight concert recording and embraced them as a way of marketing the show and his music.
The guardian reports this week on concert pianists, Krystian Zimerman’s reaction to being filmed during a performance. He was so annoyed over seeing a member of the audience filming him perform he asked the audience member, "Would you please stop that?"  He shortly afterwards left the stage and on returning told his audience that he had lost many recording projects because of YouTube and that it was ‘destroying music.’
It’s ironic that this is reported in the same week we have written about the increasing issues of privacy in our increasingly Internet intrusive world. Is David Bryne’s world different to that of the concert pianist, or the opera singer, or should we treat them all the same? We would expect a certain decorum within the various concert halls, but if that is being observed, then we have the core issue of recording and its impact on artists.
The days of banning filming of rock and pop concerts is fast disappearing and common sense has prevailed. YouTube, is becoming for many, the most popular way of listening to music today. We first created the MTV generation, which now have spawned the YouTube generation. Many artists have realised that it can be a great way to promote their music and concerts and have in the main embraced it. Go to any rock concert today and before you have reached home we can guarantee there will be a posting on YouTube.
Yes, we expect certain decorum within a classical music concert and don’t expect people using flash cameras, standing to record, or dancing in the aisles, but that is not the issue here. Today, and certainly in a few months, we could see Google Glass being worn by the audience. No more having to hold the smartphone in one hand whilst dancing in the aisles. You can’t ban Google Glass and not smartphones. The person wearing Google glass could be sitting quietly next to you in that classical concert and be disturbing no one, as tomorrow they live stream the concert to YouTube. In fact they will be less obtrusive than those with opera glasses.

We have to find new codes of practice, separate the bootleg recordings which are made for profit from those made by fans to share. Opera, classical, pop, folk, rock concerts are inherently no different. They are based on people enjoying the music and sharing the experience with friends and the sharing should be encouraged as it grows awareness and introduces new people to the experience. Concerts and live shows are more popular than ever and they are now filmed and posted more than ever and some would suggest that there is a correlation there. 

Wednesday, March 28, 2007

Keep it Simple

Take a simple teenage problem, ‘how do I share my music with my friends without getting tangled up in cables or blastling everyone with the same music?’ Now take one smart and persistent kid in California and technical savvy dad and we have ‘NoeStringsAttached'.

What it does is enable devices to share music transmitted using FM radio waves from a portable music player to any other specially equipped player within 15 feet. Each one plugs into the standard headphone jack found on most MP3, CD, and tape players. A user selects one of five radio frequencies and then opts to transmit or receive music by flicking a switch. The five frequencies were specially selected because they are not often used by traditional broadcasters, but in theory, the device could pick up FM radio stations.

Listeners don't even need a music player if they just want to tune in to someone else's music. All they need is a pair of headphones plugged into a NoeStringsAttached unit.

Kristyn Heath says that she and her dad decided to take a ‘low-tech approach’ and utilise FM radio to keep costs down and avoided other more expensive wireless options, such as Wi-Fi. The target audience is 15 to 20 years olds who don’t have money but want to share music.

A bit like those tin cans and a piece of string we uall played with as kids.